Portal
A granular effect plugin that cuts incoming audio into grains and rebuilds it, so any source can be turned into new textures.
Ghostly & otherworldly.
Ghosts, spirits and things that shouldn't be there. Horror is all about something you wouldn't expect being there, and supernatural music leans right into that.
The classic ghost sound is the theremin, and you can fake one with a pure sine wave, a slow attack, a bit of glide and some vibrato. Whispers and breaths work because a disembodied voice is the scariest thing there is. And the organ brings its own baggage: churches, funerals, graveyards. Hear one in the dark and you think of death.
Everything here does something otherworldly: voices, ethereal textures, eerie instruments, and sounds for ritual and the occult.
By Richard Pryn · Go deeper: How to make ghost sounds with a theremin-style sine wave and whistling
A granular effect plugin that cuts incoming audio into grains and rebuilds it, so any source can be turned into new textures.
A polyphonic pitch-shifting plugin with granular, formant and vocoder engines, real-time MIDI control of pitch, unison and chord memories.
A granular effect plugin with Classic, Rhythmic and Texture modes, pitch quantisation to 15 scales, a spatialiser, two FX slots and a modulation section (envelope follower, three function generators, step sequencer).
A creature vocal library of 3,991 sounds in 676 stereo WAV files (13.41 GB).
A library of 1,773 creature sounds in 24-bit/96 kHz WAV (3.81 GB) covering 24 types of fantasy monster, animal and insect.
A whisper and spoken-voice library of about 980 sounds in 196 files (24-bit/96 kHz, 5.72 GB), split into raw, stylised and designed sets.
Nine horror ambience construction kits with split stems (46 files, 24-bit/96 kHz, 4.4 GB, about 136 minutes), themed as a haunted factory, forest, house, neighbourhood, sewers and swamp, plus nightmare, zombie apocalypse and torture chamber.
A pocket-sized, battery-powered wide-band receiver (SOMA calls it an 'anti-radio') that makes the electromagnetic fields around electrical devices audible.
A free, collaborative online library of user-uploaded sounds (738,114 at the time of checking) run from the Universitat Pompeu Fabra, searchable by tag, with downloads requiring a free account.
A string-based horror sound library performed on home-made "nightmare instruments": ghostly bowing, harmonics, scrapes and warped resonances, plus breaths, metallic textures, whooshes and impacts.
A sampled old, untuned upright piano with sticky keys and broken strings, in tuned and untuned versions, with separate string and key release samples, pedal noise, sound effects and 20 ambient pads.
A collection with the electronic duo Darkstar of processed analogue synth textures, sub-basses, icy processed vocals, London found sound and lo-fi drum loops.
An atmospheric instrument built on 178 field recordings by Chris Watson and 240 Soniccouture sample sets, with around 560 preset snapshots, a vector Cube controller, arpeggiator, insert effects and convolution spaces; you can also load your own samples.
A sampled waterphone in two instruments: Waterphone Phrases (366 recorded performance gestures) and Waterphone Unwrapped (playable notes with up to five harmonic layers, six articulations and water modulation), each around 3 GB with stereo and contact-mic channels.
A choral performance instrument for Kontakt Player, drawn from over 800 sound sources recorded with a symphonic choir, a chamber choir and a new-music vocal quartet.
A horror sound-design library for full Kontakt (1.31 GB) built from 15 dark compositions, with impacts, sub hits, risers, low and high drones, and tempo-synced rhythms, tick-tocks and phrases.
Contemporary string textures and effects for SINE, recorded at Teldex with a 14/12/10/10/6 string orchestra: long aleatoric and extended-technique performances plus a second set of processed sound-design patches (79 patches in 11 groups).
A SINE collection of playable drones designed with Alexander Hacke (Einstürzende Neubauten), made from guitars, celli, basses, trombones, a basso profundo choir, hurdy-gurdy, tanpura, didgeridoo and EBow piano.
A low-cost Originals library of the titanium euphone, a glass-rod instrument played with wet fingertips, offered as the raw recording (close, room and ribbon mics) and as processed 'Warps' that range from shimmering to horror-like (20 presets, 3.5 GB).
Experimental vocal techniques from Lea Bertucci, Audrey Chen, Cansu Tanrikulu and Phil Minton (throat singing, whispers, shrieks, clicks, multiphonics), processed with tape, outboard and digital effects into 49 presets in Spitfire's own plugin (about 2.5 GB).
A small free instrument of bowed psaltery effects, played in Cinesamples' Musio plugin.
A free Musio instrument of three unusual traditional wind instruments: a femur trumpet, a trident shell and a death whistle.
A Kontakt construction-kit library built from waterharp recordings, with over 1,000 chromatically mapped sample presets (3 GB, 44.1 kHz/24-bit).
A standalone application that layers up to 12 effects (convolution, procedural and synthesis processes) over a microphone, up to three audio files or a virtual instrument to build creature and robot voices.
A voice effect with pitch, formant, Ghost, Snarl, Ring, Drag, Echo and Warble controls and a Ouija-board pad that blends four settings, plus a companion instrument that plays 100 spoken horror phrases from five characters.
A free voice changer combining delay, pitch shift, reverb and a noise generator, with controls named Echoes, Crypt Size, Howl, Tombverb, Ghoul and Wail.
A free sampler with a built-in reverb engine (70 presets from the developer's Abyss FX) and four macros: Space, Dark, Dirt and Haunt.
Six sample libraries made with Glitchedtones (788 samples, 300 presets), including Paranormal and Scare Tactics, that play inside FrozenPlain's free Floe plugin with three layers, granular, arpeggiators and an effects rack.
A free sample-player with over 100 horror sounds mapped one per key (screams, jump scares, creature growls, risers, horror strings and impacts), with built-in reverb, delay, chorus, distortion, high-pass filter and modulation.
No tools match those filters.